One of the perks of working at Ravinia Festival is access to artists, and the opportunity to look behind the curtain. Usually, it's a glimpse into the minds of musicians. But this week I had the extraordinary opportunity to tour Ravinia's new Dining Pavilion with the men who made it happen: architects Dirk Lohan and Michael Barnes. We were showing the building to Chicago Tribune architecture critic Blair Kamin (
whose rave review of the building appears in the July 1 edition of the Arts section).
From the instant the sledgehammer took the first blow in leveling the old Mirabelle restaurant last September, Ravinia and its cadre of artisans and workers had but nine months to clear the debris and erect a new restaurant that would afford breakthrough amenities to the festival, including its first second-story dining opportunities with views overlooking the famous lawn and the first private banquet areas, not to mention a walk-in gift shop. I watched. Sometimes curious, sometimes downright dubious, but always interested, I watched. Then when the impossible happened and this beautiful new structure opened on time with the 2007 season, I got a copy of a time-lapse video of the entire process and watched again and again and again. I thought I knew everything about this building. So it was a fun process to hear new ideas from the building's designers and reactions from the critical mind of an outside expert.
It never occurred to me that the white, round columns supporting the second floor were designed to mimic both the posts that prop up the pavilion and the stand of birch trees that guard the entry to the new building.
Who but an architect-or critic-would realize that the floor-to-ceiling glass walls in the Park View restaurant, uninterrupted by structural support, would be the only way to fully provide the best people-watching in town.
And I could have looked up at the unfinished ceiling a million times without giving thought to how the exposed ducts help provide that open, relaxed feeling Ravinia is famous for-nothing too stuffy or prissy.
I have new appreciation for Ravinia as a venue. The new dining pavilion adds to its ability to create sense of occasion while still remaining as casual as your own backyard.
Nick Pullia
Director of Communications
This season the Ravinia Festival has had the joy of working with Chicago native Patricia Locke, a self-taught jewelry designer who has been hand-crafting fine jewelry since the 1970s. This year she has created a line of jewelry specifically for Ravinia that features architectural elements of the festival. The inspiration for this jewelry comes from the stained glass of the Martin Theatre, which is the oldest building at Ravinia, dating back to 1904. The jewelry crafted for Ravinia ranges from necklaces to earrings to brooches. Last week Locke visited Ravinia for a signing of her stunning jewelry, which can be purchased at the Ravinia gift shop. Seeing the artist next to her work, one could understand where the creativity for each piece stems. Locke is an energetic and inspirational artist whose impeccable crafts are now a staple of this season at Ravinia.
